Koh yao noi philip bloom windows#

We had a very relaxing and quiet family vacation here during our 5-night stay. Sunrise also gave us a ride to the nearby ferry pier when we departed.… We rented a scooter for one day to explore the island for a reasonable rate. There are several restaurants and a few small shops within 10 minutes walking distance (our favourite was Sea Gypsy restaurant).

The small bar/restaurant serves good coffee, drinks, breakfast, and simple Thai dishes.

Koh yao noi philip bloom windows#

They are very modern, tastefully decorated with well designed hot-water bathrooms, lots of storage, very comfortable beds, air-conditioning and screened windows (though, unfortunately the sliding glass entry doors are not screeded).

The bungalows have recently been completely rebuilt and were were brand new at the time of our stay, with some still being finished off. Although barely swimmable (not even knee deep), we were happy to stare out at the water and the karst islands in the distance all day. We were lucky to walk in off the street and negotiate a great deal on an air conditioned bungalow which they then upgraded to a waterfront bungalow. We chose Sunrise House (formerly Baan Tha Khow Bungalow) for it’s gorgeous location on the beach and only then discovered how nice the bungalows are. Melia Punta Cana Beach Wellness Inclusive - Adults only.Hotels near Bass House - Activities on Koh Yao Noi.Hotels near Kids Club & Workshop Koh Yao Noi.Hotels near JJ Queen Spa Traditional Thai Massage.Ko Yao Noi Hotels with Breakfast Buffet.

Ko Yao Noi Hotels with Soundproof rooms.

Serenata Hotels & Resorts in Ko Yao Noi.

The key is, and I’ll revisit the question – Do you think about the motivation behind camera motion?Īs well as the above two films, I’d like to include an example of a great short utilizing entirely static shots. Joe Simon’s Gerry is slightly different, there’s less of a reliance on a sole bit of camera kit, but as a whole the piece utilizes many different pieces of gear which without, again wouldn’t have been the same film.įilmmaking in normal practice works in reverse in the fact that story comes first, you should then select gear and camera in accordance to this. He would never have achieved the desired aerial angles the video would have looked completely different shot with a set of sticks. Without a flying camera like the DJI Phantom, Philip Bloom’s Koh Yao Noi wouldn’t have been possible. I picked these two as they both heavily rely on camera technology to tell their story, but both in different ways. In reverse, it’s great to see a film put together that wouldn’t be possible/have the same effect without the use of camera technology, here are two good examples from Joe Simon and Philip Bloom: Will these become over used? Or will their incredible versatility unlock a new door for filmmakers, enabling them to put the camera exactly where and when they want, in more unique ways? It’s no secret that multi-axis stabilizers are starting to make a huge presence in filmmaking it’s only a matter of time before these are equally as accessible to the camera slider. Here’s an interesting video from Cinevate’s blog that got me thinking on the subject. Eduardo Angel discusses the importance and thought process behind the camera track a camera move perhaps consider the most overused (purely on just how accessible it now is with the abundance of camera sliders).

It can seem like an obvious question sometimes, but do you think about the motivation behind camera motion?Īs the modern day filmmaker, never before has it been so accessible to make beautiful looking images. From large sensor cameras down to 3-axis stabilizers, we’re literally spoilt for choice when making small-no budget films look big budget.īut is a moving camera, always the better camera? As a filmmaker are you providing motivation to your camera motion, or merely keen to use new kit and show off the bag of tricks you carry with you? As accessible as it is to all this amazing camera gear, it’s equally easy to over do camera motion by moving-it-for-the-sake-of-it.

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